Bowtown Music’s recording studio is closed. All equipment is for sale.

If interested, contact us!

 Equipment:

Lynx Aurora 8-8 Channel Convertor Mastering AD/Da – asking $1,400

  • Audio-to-digital and digital-to-audio converter that was made for the modern age, giving you an exceptional conversion rate of 192 kHz, 8 channels of analog I/O and 8 channels of AES/EBU I/O, all using DB-25 connectors.

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Toft Audio ATC-2 Channel Compressor/Equalizer –  asking $1,200

  • Toft Audio ATC2, provides two recording channels, each comprising mic preamp, equalizer and dynamics.

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FP10 24-bit FireWire Recording interface Presonus  – asking $200

  • The FP10 FireWire recording interface is equipped with eight PreSonus microphone preamplifiers, 24-bit/96K analog to digital conversion along with SPDIF and MIDI inputs and outputs for professional quality convenient and compact no-hassle recording.

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G2.1u Zoom Guitar Pedal – asking $100

  •  All the effects you expect, and a few that may surprise you, are packed into the G2.1U. From the basics like chorus, EQ, reverbs, and a selection of delays, 

  • to far-out special effects like slow attack and ring modulator. Quiet Operation ZOOM’s proprietary noise-reduction circuit keeps your guitar whisper-quiet when you’re not playing.

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Sennheiser Studio Recording Professional Microphone MK4 with Shockmount- asking $250

MXL V67i Condenser Microphone – asking $100

Neumann Berlin U87 Ai Studio Set of Condenser Microphones – asking $3500 Mint (New $4675)

  •  The Neumann U 87 Ai is probably the best-known and most frequently used studio microphone the world over. Its smooth and refined sound is as iconic as its elegant exterior design. 

  • The U 87 Ai is the epitome of a large diaphragm condenser microphone.  This is what a studio microphone looks like. The U 87 Ai represents studio quality; it has become the gold standard by which other microphones are measured.

  • What sets the U 87 Ai apart is its unique combination of linearity and character. Although its on-axis frequency response is remarkably flat, it does exert certain charisma. It just sounds right! This makes the U 87 Ai both versatile and instantly recognizable.

                                               

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Audio-Technica AT2050 – Studio Mic – asking $175

Features

  • Three switchable polar patterns: omni, cardioid, figure-of-eight

  • Switchable 80 Hz high-pass filter and 10 dB pad

  • Large diaphragm for smooth, natural sound and low noise

  • State-of-the-art surface-mount electronics ensure compliance with A-T?s stringent consistency and reliability standards.

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Rode Microphone NT1-A  includes box, black pouch and instruction manual. *With shockmount – asking $175

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Pair of SHURE KSM 137 SL Stereo Condenser Mics – complete set in case – asking $950

  • Highly consistent cardioid polar pattern

  • Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar diaphragm for superior transient response

  • Class A, discrete, transformer less preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion

  • Premium electronic components, including gold-plated internal and external connectors

  • Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration

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CAD Prem 7Pc Perc Pack 1 – CAD D12, Two GXL 1200, Four TSM411 & hardware – asking $300

  • The CAD D12 Dynamic Kick Drum Microphone is a rugged dynamic microphone ideal for capturing kick drums, bass cabinets and other low-frequency instruments. The cardioid polar pattern minimizes noise and off-axis feedback. The D12 is also well suited for floor toms, congas, and large percussion instruments.

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NS10 – KRK Rokit 5 Monitors – asking $250

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Yamaha NS-10M Studio Monitors – asking $800

Few studio monitors have enjoyed the longevity and acclaim (as well as an army of vocal detractors…) of the Yamaha NS-10M, which isn’t all that bad for a speaker that was originally designed and marketed for casual home listening. They’ve got anything but a flat response, but the idea is that when you get a mix perfect on a pair of NS-10M’s, that mix will be perfect everywhere. When legendary engineer Bob Clearmountain started carting his set around NYC in the 1980s, colleagues took notice and the NS-10M became standard-issue kit for major recording studios all over the globe.

 

Stay tuned for additions and updates!

GXL 1200 | T3M 411 | AT 2050 | APEX 205

Apex 415 | Apex 185

 

 

 

 

 

 

For Further Information Please Check Out Our Links Below

Making Music Happen For You!

Any Questions? Get in touch with us and we would be happy to answer any questions you may have.